Poem Essay Example | Topics and Well Written Essays - 1500 words

Poem - Essay ExampleIt is a plausible assertion to receive that the voice in the poem is that of William Stafford who is presenting a realistic account to the reader. Of much importee is the tone of the poem and how Stafford chooses to address his audience. What may appear as the poets indifference towards the dead deer is soon transformed into sym travel plany as he touches the animals belly and feels the unassailableth of the life that is growing indoors of her. The seemingly compassionate nature of this action, however, is short lived as the progress towards the fourth stanza of the poem brings into light the inner conflicts of the speaker. It is usually best to roll them into the massyon that bridle-path is narrow to swerve might make more dead (Stafford 11) the speaker had initially thought upon encountering the deer that her carcass must be removed from the path of traffic, but he soon drifted into his thoughts before the action could materialize. In this moment in the p oem the tone shifts to a display of sympathy, however, the poets removal of the deer as he had aimed to do is a representation of the ironic tone of the poem which reappears in the forefront towards the departure of the blank verse. The symbolism of the word sliminess is a notion which is central to the literary work. Even though, the literal meaning of the term is obvious from the title itself the figurative meaning of the word holds the immense significance due to its multidimensional interpretations. Staffords use of the word Dark represents shock, confusion, destruction, threat, struggle, death, destiny, and even failure humanitys failure to synchronize and harmonize what it invented and what God created. kindred the dead deer lying on the edge of Wilson River road, death is the fate of every living creature, and this is a fact that cannot be denied. Therefore, the darkness in the literary work is also the darkness of death. The beauty of the mental imagery used by Stafford i n the poem is that the poet allows it to be open for interpretation rather than being uniquely clear about its purpose and intention in the context of the literary work. An intriguing line with respect to this observation says, I stood in the glare of the warm exhaust turning red (Stafford 11), where the reader is provided with the liberty to imagine the poet standing against his car with red light on his face. Certainly, this image can be understand in numerous ways, primarily because the connotations associated with this depiction can be comprehended as a plethora of emotions. If the red light is believed to be indicating danger thence what or who is in danger? Is it the incoming cars that might meet with an accident if the poet decides that the animal carcass should not be removed? Or is it humanity itself which is in jeopardy as it refuses to mend its ways and revere nature as it is meant to be revered? Furthermore, the imagery of the warm exhaust turning red can also be assoc iated with the emotions being felt by the speaker himself these emotions that range from confusion, aggression to even embarrassment represent the challenges and complexity of the situation. Furthermore, Staffords use of imagery in the literary w